Story Intelligence Infrastructure
Every script deserves
a real read.
Scripitt reads screenplays, pilots and manuscripts end to end and returns evidence-based evaluation in minutes — a verdict, a weighted scorecard and a decision memo your team can act on.
AI reads. Humans decide.
Coverage No. SC-0412 · Rev. 3
The Salt Line
Feature · Thriller · 108 pp
Verdict
Consider
Alignment Radar
Reader’s note. The engine is the relationship, not the heist. Acts one and three know that; act two forgets it for roughly twenty pages and pays for it. Fixable in a pass.
Int. development office — night
The pile is bigger than the week. So the pile decides what gets read, and the reading decides what gets made.
Days
Turnaround on a single evaluation, when a human reader has a queue.
Inconsistent
Two readers, two rubrics, two verdicts on the same script — and no way to reconcile them.
Unread
The submissions nobody got to. The reason they were passed on is that nobody opened them.
Scripitt is the intelligence layer underneath that problem. It does not replace the person who decides. It makes sure that person is deciding on a complete, consistent read of everything in front of them.
The capability
Five things it does, in order.
01
Read & Understand
One complete pass over the whole work before any judgment is formed, building a structured understanding of character, structure, turn and voice.
02
Evaluate & Score
Mode-specific specialists assess craft, market and commercial shape, reconciled rather than averaged, against the lens you chose.
03
Route & Compare
Lanes, likely buyers and kindred voices with fit scores; two or three projects set against each other with the reasoning shown.
04
Remember & Organize
A searchable library with provenance, revisions and coverage numbers bound to the exact draft they describe.
05
Operationalize Insights
Decision memos, branded exports and answers drawn from your own catalog — the read becomes something the organization can act on.
Modes
Eight modes, seven kinds of read
A pilot is not a feature, and a manuscript is neither. Each mode carries its own rubric, its own sections and its own idea of what “working” means. The eighth performs no read at all — it logs the work to the library and stops there.
01
Feature Script
Full coverage on a feature screenplay — logline, synopsis, craft breakdown, market read and a Pass / Consider / Recommend verdict.
02
TV Pilot
Pilot-specific analysis: engine, series-ability, character runway, episodic vs. serialized fit, and where the season two problem lives.
03
Book & Manuscript Review
Long-form editorial coverage for publishers and literary teams — structure, voice, market position and comparable titles.
04
Quick Book Triage
A fast first-pass read for a full submission pile. Sort the stack before anyone spends a weekend on it.
05
Book-to-Screen Adaptation
Adaptation feasibility: what survives the translation, what has to be invented, budget shape and the format the material actually wants.
06
Publishing Readiness
Submission-grade assessment of whether a manuscript is ready to go out, and precisely what is holding it back.
07
Micro-Drama & Vertical Series
Built for the vertical short-form format on its own terms: hook velocity, per-episode cliff placement, retention across an episode arc, and whether the premise sustains a full season at that length.
08
Log to Library
Intake without evaluation. The work is fingerprinted, logged to the Provenance Ledger and indexed into the searchable library — no read is performed and no coverage is produced. For registering what arrived when a verdict is not wanted, or not yet.
Inside the platform
Evaluation is the output. The judgment around it is the product.
Evaluation Lens
Coverage is never generic. Choose the lane, the buyer and the creative sensibility the material is being judged against, and the read changes accordingly.
Trainable taste
Calibrate a lens from the scripts an executive actually loved. The system learns that specific taste and applies it consistently across the pile.
Alignment Radar
Names the lanes the material fits, the buyers most likely to respond and the kindred voices it sits beside — each with a fit score, not a vibe.
What-If Simulator
Re-score the material under an as-executed assumption. Separates what is wrong on the page from what is merely unproven.
Decision Memos
One click turns coverage into an executive memo — Pass, Consider, Recommend or Option — written for the person who has to make the call.
Side-by-side
Put two or three projects against each other and get a head-of-development recommendation with the reasoning shown.
Ask the library
Every report is indexed. Ask your own catalog a question in plain language and get answers with the coverage cited.
Provenance Ledger
Each submission is fingerprinted at intake and written to an append-only chronology, with the coverage number bound to that exact revision.
White-label
Studio and enterprise deployments carry your logo, your colors and your report letterhead — not ours.
Where we stand
The machine reads.
You decide.
This is not a rhetorical position. It is how the system is built, and it is the reason a writer can hand us a draft without hesitating.
The machine never writes
Scripitt does not generate, rewrite or punch up creative material. Not a line. It reads, it assesses, it cites. Authorship stays entirely with the writer.
The decision stays human
Every output is an input to a person's judgment. The verdict is a recommendation with its reasoning exposed, so a reader can disagree with it on the evidence.
Nothing is asserted without the page
Claims trace back to the material. If the read cannot support a judgment, the report says so rather than inventing confidence.
Built for
Production companies
Clear the pile without losing the good one at the bottom of it.
Managers & agencies
Read every client submission properly, at the speed clients expect.
Publishers
Triage the slush, then go deep on what survives.
Contests & labs
Consistent, defensible scoring across thousands of entries.
Vertical & micro-drama
Volume formats need volume reading. This is what it was built for.
Pilots are open.
We are taking on a small number of production companies, agencies and publishers to run Scripitt against a live slate. Tell us what you read and how much of it, and we will come back with a scope.